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• FUNNY CARTOON VIDEO SONGS MOVIE

How Dan Stevens Simulated ‘the Strangeness of Humanity’ to Play a German Robot in ‘I’m Your Man’ “From his testimony, we would decide when we needed to hear his voice and when we go into these reenactments.”Īnd Rasmussen also had to choose when to remove the animation entirely, such as when he shows archival news footage of a decrepit house in Sweden where hundreds of refugees, including Amin’s sisters, were forced to stay for months upon arriving in the country. His voice would change when he was talking about something traumatic, and I believed that change should be seen visually through the animation,” he said. “At times he would have a hard time talking about things. Over time, Rasmussen learned about light and color techniques as he worked with animation director Kenneth Ladekjær and art director Jess Nichols to bring Amin’s words to life. Those scenes of a stable present collide with Amin’s memories of poverty, fear and trauma, with the most terrible moments presented as dark blurs with vague outlines of human shapes to reflect the nature of repressed memories. Paolo Sorrentino’s Big Challenge With ‘The Hand of God’: Stop Trying to Be Fellini Amin’s interviews take place over the course of three years, the passage of time marked by scenes of him house-hunting with his soon-to-be husband, Kasper. Rasmussen makes the filmmaking process part of the story of “Flee” to show Amin’s struggle with opening up about a past he’s fought hard to leave behind.

FUNNY CARTOON VIDEO SONGS MOVIE

“Having animation really gave him the space to open up and while he’s obviously been home while we’ve been showing the movie at festivals, he’s been really pleased that people have embraced it.” “Amin had always been very quiet about where he had come from and how he made it to Denmark from Afghanistan, and he was worried about people recognizing him if his story was made into a movie,” he said. With France’s Vivement Lundi and Denmark’s Sun Creature Studio now on board to turn Rasmussen’s camera footage and Amin’s memories into hand-drawn re-creations, the filmmaker won Amin’s permission to tell his story. That day came when Rasmussen joined ANIDOX, a Danish program that pairs up documentary projects with independent animated studios. Noomi Rapace Recalls Bad On-Set Relationship With Her Sheep Co-Star in ‘Lamb': ‘You Can’t Scare Me, Bitch!’ “He said he wasn’t ready, but he knew that one day he would have to tell his story and that when that came he would tell it to me,” he said.

Rasmussen said that while he’s known Amin for decades, his friend wasn’t comfortable at first with the idea of making his life into a documentary. Amin (who uses an alias in the film) and his family were among the countless who escaped Afghanistan during the civil war in the 1980s, first fleeing to Soviet Russia before risking their lives and handing every dollar they had to callous traffickers to help them reach Europe, all while Amin hides his homosexuality from his family. “ Flee,” which is Denmark’s selection for the Best International Feature category at the 2022 Oscars, follows Amin, an Afghan refugee whom Rasmussen met when he was 15. But Jonas Poher Rasmussen’s “Flee” uses it for a much more personal purpose: to maintain the anonymity of a friend. It can be used for re-enactments, or to explain a complex concept, or to draw out a map or a timeline. And animation is also where you can get kids to sample stories from all over the world, from Japan’s Studio Ghibli to the United Kingdom’s Aardman Animations.A version of this story about “Flee” and Jonas Poher Rasmussen first appeared in the International Issue of TheWrap’s awards magazine.Īnimation has been used for a variety of purposes in documentaries. Or, if you’re looking for something younger ones will love, claymation studios use the round, blobby characters for funny comedies. Stop-motion animation, in particular, is an area with a lot of experimentation if your kids like things to be slightly odd or creepy, the stop-motion animated films use their dollhouse qualities to tell slightly scarier stories. But there are also greats from smaller studios, too. Of course, there are the classic Disney and Pixar films, which come with some of the most enduring songs and characters in all of kids’ movies (animated or not).

Before they move on to bigger and louder blockbusters, make sure to add these best animated movies to your to-watch list.

You're never really too old to watch cartoons, but sadly the window of time when your kids will snuggle next to you on the couch and watch one with you is shorter than you might think.